THE DECISION

I believe I’m one of these people with big career turn and moving to Berlin has a lot to do with that. I started to work exclusively as a letter designer more or less at the same time that I moved to the city. Working as a graphic designer and being an art director for 7 years I had of course been doing typography related stuff before. Still, it wasn’t until I moved here that I decided to stop doing any other graphic design work and pursued making a living exclusively from my lettering work.

My first step towards it was to clean up my website of all the things that I had done but I didn’t want to do anymore. My second step was to print new business cards. This was my way to say to the world that I was a letterer.

My first business cards as a letter designer

THE CONTEXT

Berlin is one of the cities with more type designers per square kilometre in the world. Berlin breaths typography: there’s monthly meetings (called Typostammtisch) where the typographic community comes together to discuss typography related topics, there’s a few conferences with a focus on the mater and there’s a vibrant community of designers working in the field. You can even find a  museum of Letters (Buchstabenmuseum) that rescues abandoned vernacular signs from the streets from all around Germany.

Vernacular signs are all over the place in Berlin

Traditionally Germany has a focus on formal typography. Topics as readability, legibility and clarity are essential. And these are all things that my work doesn’t necessarily pursue. My work is colourful and expressive, at times is even not readable. It's about conveying an idea and telling a story. For this I use letter shapes that combined with color and texture create a new visual text.

I was truly hesitant whether this typographic community would accept my approach to letter design. Topping all my expectations, this community welcomed my work and ultimately triggered it. Throughout these years living and working in Berlin my work became more colourful, expressful and playful than i's ever been.

THE WORK

When started working commercialy with lettering I quickly realised that I had to improve my workflow. On the first place, to be able to manage multiple projects at the same time. On the second place, to cope with tight deadlines of agencies and publishing houses. My work process is moulded through that and has become more effective with the time.

Throughout this years I have parallel run a few side projects. The biggest one that I started was Lettering vs Calligraphy, where together with calligrapher Giuseppe Salerno we organised an online battle that got a lot of attention from the audience and the media. That was one of the most exciting times of my life. Also, the way this project improved my work showed me for the first time the impact that this sort of endeavours may have in your bulk of work and the sort of commissions you get.

The variety of letters we created together with Giuseppe Salerno.

Some years after that I started Letter Collections where I was designing and sending postcards to friends, colleagues and complete strangers. As a result, I created a collection of 100 postcards where I experimented with several lettering styles that informed my work immensely. 

Side projects, commercial work and my teaching has been my main occupations during this years. Thanks to the growing attention towards my work, I have been regularly invited to speak at conferences.

THE TALKS

Speaking about my work and teaching has been one of the most nurturing things I have done so far in my career. It pushed me to organise my ideas, to question my methods and to identify what is important and what is not.

I have the luck to travel often to speak at design and type conferences, and it amazes me every time the fact that I share the stage with people I have admired since I was a young design student. Speaking about my work is just something I love to do and allows me to keep in mind the few things that are essential.

The title and the slides of my presentations about my experience at teaching lettering where made my hand. 

TypeCon 2014 was the conference where for the first time I presented a talk exclusively focused on my teaching. I gave a similar talk at AtypI 2014. Breaking down my teaching method into a few clear simple steps that would fit in a 20 minutes presentation made me realise that I had an own personal method, that it was also didactic and certainly effective to achieve personal results. These talks, called after my online clases The Golden Secrets of Lettering first planted the idea of making a book about it in my head. And so I did.

In my next post I'll be speaking about my the book Lust auf Lettering and its content. Click here to read it. 

Join thousands of readers in this community and upgrade your lettering skills! If you're as excited as I am, send this link to a friend, so they can subscribe too.